Born in Caen in 1971, Raphaëlle Latini has had a regular dance practice since her early childhood (classical and contemporary). Multifaceted artist, graphic designer, video artist, scenographer, scenographer, graduate of Beaux-Arts in Caen: the body and movement are always at the center of her research. It was in 2003 that she rebuilt her daily life around another passion: sonic, intimate, intimate, regenerating, vital. In 2003 she rebuilt her daily life around another passion: sonic, intimate, regenerating and therefore vital, and created the character of Madame Twill, created the character of Madame Twill, set up her graphic and sound identity, and mixed in Parisian club bars (O.P.A, Pulp, Barourcq, Cabaret Sauvage...). Her different approach to turntables engages her as much in bars, national choreographic centers as during contemporary dance workshops. It is quite natural that she refocuses her work towards live performance, whether in music with Vincent Dupont in Incantus, Plan, Souffles and Refuge, in scenography for Borges vs Goya and in setting up the group Entorse in 2007, which she inaugurated with Love. Affair, green girl (radio theater), Performance piece with chocolate vinyl records. Initially thought of as a collective, She will collaborate within Entorse with various artists (choreographers, actors, actors, light designers, musicians, scenographers, researchers...) to create shows, performances, installations that combine these different media with a requirement that pushes them to explore all possible interactions. The specificity of the company's project is not so much the formalist search for a choreographic signature effect, but rather the desire to constantly resonate with this transdisciplinary approach. As part of this approach, she will begin a great collaboration with Samuel Lefeuvre in Accidens (ce qui arrive), [àut], Haute résilience et Hantologie. Since 2015 she has assumed the artistic direction alone and created CORPS DISCIPLINAIRE and then Bold!. At the same time, she created the soundtracks for Neige for Michèle Anne De Mey/Charleroi danse, collaborated with Mohamed El Khatib and since 2011 with Peeping Tom in À Louer then the trilogy Vader, Moeder, Kind and in The Land for the Residenz Theater as well as The Missing Door, The Lost Room, The Hidden Floor in collaboration with the Nederlands Dans Theater. In 2020 she reunited with Samuel Lefeuvre and his collaborator Flor Demestri by creating Glitch. In 2021 she signed the sound design for Datadream by and by Steven Michel and then that of the Opera Dido & Aeneas with the director Franck Chartier\ PeepingTom.
